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Published 17:44 1 Oct 2017 BST
Updated 18:07 1 Oct 2017 BST

"I don't want to reveal too much of the plot, since nasty surprises are the very life of the possession genre," wrote Roger Ebert. "But I suppose I can mention the look of sublime happiness on the little boy's face after he knocks his mother (Lee Remick) off a balcony with his tricycle. The neat process by which David Warner, as a photographer, develops film in which the ultimate fates of the victims are superimposed on the negatives. "The race against time in the cemetery outside Rome, where Peck and Warner are set upon by leftover hounds of the Baskervilles. And the conclusion, which will leave you thinking that Nixon wasn't half bad."If you've never seen it, we highly recommend scaring the living daylights out of yourself.
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